Description.
Contained Identity steel, bronze 98x35x24 in / 250x90x60cm 2006 Contained Identity draws upon ideas of home, isolation and sense of place. It speaks broadly of the connection one has to their homeland and how that affects our personality. The portal in the sculpture connects the past to the future, as the solitary figure stands contained […]
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Horizon 3 fiberglass, steel, enamel 87x90x48in / 220x228x123cm 2006 Seven figures create an undulating horizon line by appearing to be buried at different points of the body. The profile of the group suggests a distant view of a mountain range. They have essentially become their own “landscape”. Horizon 3 can be interpreted as the interconnection
Cultivated Memories steel, fibreglass, stone 85x59x59in / 215x150x150cm 2010 Cultivated Memories explores the connection between people, place and ancestry. A solitary figure swathed in white flowers stands in a tall garden. As we migrate both globally and locally we retain memories of our homelands and ancestors. These fragments of memory are our flowers. We seek
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We Among Trees steel, bronze, fibreglass, iron paint 76x97x19in / 193x246x49cm 2009 We among trees continues with my theme of the universal interrelationship of all things. The piece is a reminder we co-exist with our environment and our future is dependent on the health of these systems.
Between Space bronze, steel 87x34x34in / 20x86x86cm 2003 Between Space comments on both the physical and emotional space humans create between one another. Are these barriers cultural, psychological, by choice or unconscious? The piece also alludes to a disconnection humans have with the natural world. Though inextricably linked to each other and the environment we
Growing Up Between Space steel, bronze, pigment 80in high x 24in round / 204cm high x 61cm round 2006
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Horizon Lines steel, bronze 78.5x126x23in / 200x320x58.5cm 2004 Horizon Lines depicts twenty-five vine-like steel rods growing up from a rusty patinaed base. Atop the vines grow bronze figures, suggesting foliage. The different lengths of the vines can be interpreted as each individual’s different stages on their own horizons and as a contour of a distant